Java had several small villages. During earlier periods, Indians traders believed the cities in Indonesian archipelago were made of Silver and Gold. This piece of world is called in swarnabhoomi in Sanskrit in India. So when the monsoon starts, they board on ships to reach the islands. They realize what they believed was not fact, yet they do their trade – mainly spices, precious metals, aromatics – and go back to India with several travel baggage.

Those who want more valuable spices stayed back to continue their exploration. They were accompanied by Brahmins who shared stories of the Hindu trinity and Buddhist enlightenment in various villages. Over time, these group of villages developed into power centers, eventually giving rise to the kingdoms of Srivijaya and Sailendra.

Sailendra-s controlled central Java where as Srivijaya-s dominated Sumatra. Both of them had trade and cultural relationship. Sailendras formed a powerful Buddhist kingdom. Its rulers were known for their patronage of Buddhism and the construction of numerous temples including Buddhist temple complex at Borobudur and Hindu temples at Prambanan.

One of the sculptures – belongs to Sailendra period, from their capital Central Java – is the focus of today’s post – The Bodhisattva Manjushri. He is a significant figure in Mahayana Buddhism. He is one of the four great Bodhisattva-s in Chinese Buddhism – Avalokiteshvara (Compassion), Manjushri (Wisdom), Samantabhadra (conduct) and Maitreya (future enlightenment).

The specific sculptor of this piece remains unknown. It is likely attributed to the Sailendra rulers who were prominent patrons of Buddhist art and architecture during the 9th century. The presence of Manjusri statues in Central Java such as Candi Sewu, suggests a strong reverence.

The sculpture embodies the cultural and religious influences that spread gradually through the interactions of Indian traders, sailors, and monks, who brought Hindu and Buddhist ideas to the region, blending these with local Javanese elements.

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