Devapaladeva’s copper plate, Nalanda

While preparing for museum tours, I learned that kings from both India and Southeast Asia made donations to religious institutions of each other. I researched more and came to know about a valuable artifact – The Devapaladeva’s copperplate inscription.

Hiranand Shastri, the Indian historian and epigraphist, mentioned that he found this copper plate during his exploration of Nalanda University in 1921 in Monastery B (Wiki says Monastery 1). Despite the campus was destroyed heavily, this was not affected much. He looks to be happy to find this copper plate intact. With the help of Archaeological chemist, he was able to read the characters.

He is fascinated by this discovery, as it talks about kings of other countries, which made this copper palate of International value.

Devapaladeva inscription | Picture source: Reddit

Devapaladeva, a king of the Pala dynasty, issued this copper plate inscription granting permission to build a monastery at the request of the King of Suvarṇadvīpa, conveyed through a messenger. It also talks about the purpose of the offering in detail.

Suwarnadvipa or Suvarṇadvīpa is the island – south and central Sumatra in particular.

The southeast Asian Srivijayan king is mentioned as King Balaputradeva. His lineage and his relatives were also mentioned.

His mother was Tārā, daughter of King Dharmasetu of the lunar race. She was the consort of mighty king who was the son of YavaBhumi (yava is Java – remember the famous Yavanarani novel from Sandilyan!). The name of the father of Palaputradeva is not given at all but the name of the grandfather is said to have been something like Śrī-vira-vairi-mathana meaning the illustrious destroyer of heroic foes.

He strongly wrote that the Yavabhumi and the Suvarṇadvīpa are evidently identical with the Yavadvīpa and the Suvarṇadvīpa islands spoken of in Sanskrit works like the Ramayana or the Kathāsaritsāgara and are unquestionably the modern Java and Sumatra.

The Kathāsaritsāgara is a famous 11th-century collection of Indian legends and folk tales as retold in Sanskrit by the Shaivite Somadeva from Kashmir.

Hirananda Shastri, referencing various sources, concludes that Yavadvipa refers to Java proper, while Suvarṇadvīpa corresponds to Sumatra.

With other artifacts, he mentions that Srivijaya ruled Java and Sumatra from 7 to 10th century.

The historical evidence suggests that cultural and economic connections between India and Southeast Asian countries were more extensive in the past than in recent centuries. The decline of these relationships after the 14th century CE marks a notable shift in regional dynamics. This change in international relations and India’s global influence over time presents an interesting area for further historical research and analysis.

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Bodhisattva Manjushri, Central Java

Java had several small villages. During earlier periods, Indians traders believed the cities in Indonesian archipelago were made of Silver and Gold. This piece of world is called in swarnabhoomi in Sanskrit in India. So when the monsoon starts, they board on ships to reach the islands. They realize what they believed was not fact, yet they do their trade – mainly spices, precious metals, aromatics – and go back to India with several travel baggage.

Those who want more valuable spices stayed back to continue their exploration. They were accompanied by Brahmins who shared stories of the Hindu trinity and Buddhist enlightenment in various villages. Over time, these group of villages developed into power centers, eventually giving rise to the kingdoms of Srivijaya and Sailendra.

Candi Plaosan | Picture : Wikipedia

Sailendra-s controlled central Java where as Srivijaya-s dominated Sumatra. Both of them had trade and cultural relationship. Sailendras formed a powerful Buddhist kingdom. Its rulers were known for their patronage of Buddhism and the construction of numerous temples including Buddhist temple complex at Borobudur and Hindu temples at Prambanan.

The bodhisattva Manjushri, Candi Plaosan | Picture researchgate.net

One of the sculptures – belongs to Sailendra period, from their capital Central Java – is the focus of today’s post – The Bodhisattva Manjushri. He is a significant figure in Mahayana Buddhism. He is one of the four great Bodhisattva-s in Chinese Buddhism – Avalokiteshvara (Compassion), Manjushri (Wisdom), Samantabhadra (conduct) and Maitreya (future enlightenment).

The specific sculptor of this piece remains unknown. It is likely attributed to the Sailendra rulers who were prominent patrons of Buddhist art and architecture during the 9th century. The presence of Manjusri statues in Central Java such as Candi Sewu, suggests a strong reverence.

The sculpture embodies the cultural and religious influences that spread gradually through the interactions of Indian traders, sailors, and monks, who brought Hindu and Buddhist ideas to the region, blending these with local Javanese elements.

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